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The Stanley Clarke Trio - Jazz in the Garden (2009) Fernando

Artist: The Stanley Clarke Trio
Album: Jazz In the Garden
Year: 2009
Genre: Jazz
Nationality: USA / Japan
Duration: 61 minutes

Tracklist:
1. Paradigm Shift (Election Day 2008)
2. Sakura Sakura
3. Sicilian Blue
4. Take The Coltrane
5. 3 Wrong Notes
6. Someday My Prince Will Come
7. Isotope
8. Bass Folk Song No. 5 & 6
9. Tweak Global
10. Solar
11. Brain Training
12. Under The Bridge

Alignment:
Stanley Clarke: bass and acoustic bass
Hiromi Uehara: Piano
Lenny White: Drums





Disc Information:




Great acoustic trio, including classic and current.


One of the geniuses of the electric bass, Stanley Clarke, famous for his work on Return To Forever or as a soloist and session musician decided to hang the wires and put on the shoulder for a while the bass sound, knew Mr Clarke decision.
If there is something classic jazz (Actually there are so many things) is the formation Piano + Drums + bass. The acoustic trio par excellence, we can cite hundreds of examples, "old" as the Bill Evans Trio, or contemporaries like Esbjörn Svensson Trio (which can mob here) and all styles in between. The fact is you need to know to lead a formation of this style because it is quite likely to fall into typical super things taken from Ellington, Monk and Evans himself, ie the great pianists of times Bop back. So the question is, how to do something different? Formulas
to answer this question there are many, such as Esbjörn Svensson Trio-style blend classic acoustic trio much experimentation, mixed with classical ideas and elements rockers, or the Avishai Cohen Trio, which relies on strong influences include "ethnic" (not really like that word, but anyway ...).
What we proposed in the original Stanley Clarke Trio, then? The following image will help enough to explain :



Hiromi! Yes! Stanley Clarke we have Hiromi Uehara the piano. Now for excellent paint names or tell them when you get play.
The truth is that Hiromi is crucial to the sound of the trio, for those who do not know (click here ) is a Japanese pianist with a virtuoso so incredibly touching and "bold" style of Chick Corea, who even touched , but tending toward the contemporary. In addition to Stanley Clarke on bass (and in some field acoustic bass) is simply a teacher have a guaranteed level improvisation. Similarly, although "the trio of bass," the fact is that Clarke gives much space to Hiromi for which they operate, and generally in the hard work is evenly distributed between those who solea, who plays base, who improvises and who does what.
The "sponge" (affectionately ) if there is anything he can do is to improvise, with great technique, sugar and sometimes a lot of speed and power, remarkable in its "Brain Training" or "Solar" by Miles , to name a few. In addition, Stanley disk gives you a taste to play "Sakura Sakura" , which is a kind of "standard" Japanese, not exactly jazz, but adapted, in which Clarke opens with a gentle introduction to make room Hiromi to touch the subject of origins, barbarian.
not forget the rhythm section:



Mr. drummer Lenny White ! Also ex-Return to Forever. These if they are names. For the clueless 3 names and point us to something definite: Chick Corea . We say "present" because the 3 members of the trio have played with him, so if you like Chick Akoustic Band, or solo projects Chick, have more reason to download this album.

The album is very even and bearable, "Paradigm Shift" disc opens strongly, with a barbarous performance of Lenny on drums, with Hiromi beginning to break and remarkable passages of Mr. leader of the band on bass. "Sicilian Blue" , Hiromi song, is another high point, but as I said the album is very solid. On that subject, "Sicilian Blue" Stanley Clarke uses a bow to play his bass at first, all an addition! After decanting into something close to a latin jazz (at least Mediterranean) calm and windless.
On the side of the versions, which are many in the disk to the "nostalgic" is "Take the Coltrane" Ellington, played a duet Clarke and White, not Hiromi. Incredible as it sounds just bass and drums being as fill the subject, such a subject, excellent.
Other notable covers, most notable are "Solar" What Standard ! of Miles Davis the "Someday my prince will come ", large standard popularized by Miles also where Hiromi" wasted sweetness "from his piano. And a" surprise "with " Under the Bridge " of Red Hot Chilli Pappers between the progressive and jazz with Stanley on acoustic bass instead of bass, they did great.

Finally, excellent acoustic jazz.


The trio in action (the subject of RHCP):



"Sicilian Blue"


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